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Liturgical Planning (Year B)   Year A  |   Year B  |   Year C

Music Suggestions
Fourteenth Sunday in Ordinary Time (B)

Hymns:
  • Around the Throne a Glorious Band (CH #335, HH #301, ICEL #178, WIII #719)
  • Forth in the Peace of Christ (WIII #627, HPSC #160, CBW #550, CH #641)
  • God Has Spoken By His Prophets (WIII #516, CH #652)
  • How Shall They Hear the Word of God? (WIII #629)
  • I Heard the Voice of Jesus Say (WIII #607, HPSC #192, ICEL #157, CH #453, AH #579)
  • I Sing the Mighty Power of God (WIII #502, ICEL #228, HPSC #197, AH #616, CH #565)
  • Lift High the Cross (WIII #704, HPSC #207, CD #847, PMB #56, HH #268, CBW #545, CH #542, AH #606)
  • O Worship the King (AH #483, CH #571, HH #201, HPSC #268, PMB #138, CHB #255)
  • Praise, My Soul, the King of Heaven (WIII #530, HPSC #279, ICEL #242, CBW #650, PMB #123, AH #611, CHB #258, 513)
  • Take Up Your Cross (WIII #634, ICEL #51, HPSC #309, CD #927, PMB #44, HH #68, CBW #485, CH #651)
  • Tell Out, My Soul, the Greatness of the Lord (HPSC #311, CD #846, CBW #638, CHB #264)
  • Word of God, Come Down on Earth (CBW #559, WIII #513, HPSC #355, PMB #105, CH #654)
AH = The Adoremus Hymnal, Ignatius Press
CBW = Catholic Book of Worship II / Canadian Conference of Catholic Bishops
CD = Cantate Domino / Hymnal Supplement, GIA Publications, Inc.
CH = The Collegeville Hymnal, The Liturgical Press
CHB = The Catholic Hymn Book [London Oratory], Gracewing Publishers
HH = Hymnal of the Hours, GIA Publications, Inc.
HPSC = Hymns, Psalms & Spiritual Canticles, out of print but excellent
ICEL = ICEL Resource Collection, GIA Publications, Inc.
PMB = People's Mass Book, World Library Publications, Inc.
WIII = Worship, 3rd Edition, GIA Publications, Inc.
Liturgical Music: Choral Music:
  • "Beatus vir" (Orlando di Lasso)
  • "Jesu, the Very Thought of Thee" (Samuel Wesley)
  • "O Lord, Increase My Faith" (Orlando Gibbons)
  • "Miserere nostri" (G.P. da Palestrina)
Organ Music:
  • "Abide, O Dearest Jesus" (Sigfrid Karg-Elert)
  • "Canzona" (J.S. Bach)
  • "Ellacombe" (Lois Hill) [Organist's Companion, March 1999 - McAfee Music Corp]
  • "Fanfare on Lauda anima" (Robert Hughes) [Organist, January 1982]
  • "Fantasia" (Matthias Weckmann)
  • "Festival Intrada on Ellacombe" (Roger Bailey) [Consoliere V-2]
  • "Hambleton Suite" (Tim Knight) CNP Catalog #6055
  • "Jesu dulcis memoria" (Sr. Teresine Fonder) [Twenty-six Miniatures]
  • "Liebster Jesu, wir sind hier" (J.S. Bach, Johann Pachelbel, J.G. Walther)
  • "Lift High the Cross" (Paul Manz) [Improvisations on Great Hymns of Faith - Morning Star Music Publ 10-839]
  • "Lift High the Cross" (Charles Ore) [Eleven Compositions for Organ Bk 3 - Concordia 97-5702]
  • "Lift High the Cross" (Lani Smith) [Organist, September 1982]
  • "Praise, My Soul, the King of Heaven" (J.L. Adam) [Parish Organist XI - Concordia]
  • "Prelude in B-flat Major" (J.S. Bach)
  • "Prelude on Ellacombe" (Alfred Fedak) [Organist's Companion, March 1991 - McAfee Music Corp]
  • "Processional on Lift High the Cross" (Donald Busarow) [Concordia 97-5442]
  • "Processional on Lift High the Cross" (Alice Jordan) [Organist's Companion, April 1985 - McAfee Music Corp]
  • "The Kingsfold Trumpet" (Alfred Fedak) [Organist's Companion, August 1987 - McAfee Music Corp]
  • "Variations on Ellacombe" [Organist's Companion, September 1996 - McAfee Music Corp]
  • "Voluntary in B-flat Major" (Maurice Greene)
Liturgical Hints & Ideas:
During Ordinary Time in Year B we will highlight passages from the new General Instruction on the Roman Missal (GIRM) that pertain to music during the liturgy. The GIRM contains rubrics and instructions (some of them new) for the celebration of the Mass. The first section below is a direct quote from the English translation of the document. The second section is a commentary on the passage.

Structure, Elements and Parts of the Mass: Gloria (GIRM #53)

The Gloria is the ancient and venerable hymn in which the Church, assembled in the Holy Spirit, praises and entreats God the Father and the Lamb. The text of this hymn is not to be replaced by any other. The Gloria is begun by the priest or, as needs dictate, by a cantor or a choir, but it is sung by everyone together, or by the people alternately with the choir, or by the choir alone. If not sung, it is to be recited either by all or by two parts of the congregation responding to each other.

The Gloria is sung or said on Sundays outside of Advent and Lent, on solemnities and feasts, and in special, more solemn celebrations.
Commentary: There are various ways to sing the Gloria, which may be begun by the priest, cantor or choir.
  1. The entire congregation may sing a simple or elaborate setting.
  2. The choir and people may alternate phrases of the Gloria, as is common in the chant Masses sung at Saint Peter's Basilica in Rome.
  3. The choir may sing a Gloria alone.
Mozart wrote several Mass settings for the Archbishop of Salzburg called Missa brevis (because they were short and concise). The Gloria from any of these might make a wonderful choral setting to use for a special liturgy.

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